The Evolution Debate Essay Example

The Evolution Debate Essay For a long time school administrators, teachers and parents and even students have argued for and against the teaching of evolution. Evolution has been taught in many public schools for generations because of the scientific method and the support it has as a scientific theory of how humans came to be in this world. Many religions hold different view of how people were created and these people believe that students should be able to hear their side as well. So I am going to tell you about my belief when education high school students about evolution in schools. In my opinion, evolution should not be taught in any high schools for several reasons. First of all, there is obviously too much conflict to make it worthwhile. When I was taught about evolution in high school, it was covered in a fifteen minute period and that was it. So what was the point of wasting those fifteen minutes that could have been used for something actually important. The teacher made it to be something that wasn’t important to understand and neither was the rest of the natural science that I was being taught. If evolution is taught in a Christian majority classroom, the students are bound to want to talk about how they have been taught different things all their life. All students are in a difficult part of their lives as it is, trying to establish their own person identities, figuring out what they want to do the rest of their lives and not trying to rebel against their parents’ beliefs. They are telling students what faith they have chose to believe an d there is no scientific proof to any of this. Overall this just creates a lot of stress for the student and their families that shouldn’t have to be dealt with. We will write a custom essay sample on The Evolution Debate specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Evolution Debate specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Evolution Debate specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Another problem is the fact that religion is not supposed to be discussed in any classroom. This has changed over the years to some extent but not enough to support any beliefs in school related buildings. Also if we teach creation on the side of e

Stylistic Features in A Prayer for Owen Meany Essay Example

Stylistic Features in A Prayer for Owen Meany Essay Example Stylistic Features in A Prayer for Owen Meany Paper Stylistic Features in A Prayer for Owen Meany Paper John Irving was born on March 2, 1942, in Exeter, New Hampshire, United States and is an American novelist and Academy Award-winning screenwriter. Irving had achieved his fame after the international success of The World According To Garp in 1978. Irving often brings his own life stories to his books making them more connectable and lively like with his seventh book A Prayer For Owen Meany. Published in 1989, it tells the story of a unique friendship between John Wheelwright and Owen Meany growing up together in a small New Hampshire town during the 1950s and 1960s. It makes me ashamed to remember that I was angry with him for taking my armadillos claws. God knows, Owen gave me more than he ever took from me-even when you consider that he took my mother. (Irving. 101). A Prayer For Owen Meany uses many stylistic features to enhance the development of the boys friendship like the amazing narrative point of view, the highly personal mood and tone, and well developed characters. The narrative perspective of A Prayer For Owen Meany can connect or entranced a reader by the friendship told through the first person of John. John Irvings A Prayer For Owen Meany is an amazing tale about two friends, John Wheelwright and Owen Meany. It documents their adventures through their childhood to their present life as adults. A Prayer For Owen Meany is told through the first person narrative of John Wheelwright. what makes this book successful and not another story of someones childhood is the way John Irving uses the inside view of John and Owens weird friendship to hook the reader. Dan understood that I loved Owen, and that I wanted to talk with him most- most of all- but that it was a conversation, for both Owens sake and mine, that was best to delay. But before we finished loading the baseball cards in the car, Dan Needham asked me what are you giving him? What? I said. To show him that you love him. Dan Needham said. Thats wha

Tips for Writing Broadcast News Copy

Tips for Writing Broadcast News Copy The idea behind news writing is pretty simple: keep it short and to the point. Everyone writing for a newspaper or website knows this. But that idea gets taken to a new level with it comes to writing copy for radio or television broadcasts. There are lots of tips for broadcast news writing that make the job a little easier. Keep It Simple Newspaper reporters who want to show off their writing style occasionally insert a fancy word into a story. That just doesnt work in broadcast news writing. Broadcast copy must be as simple as possible. Remember, viewers arent reading what youre writing, theyre hearing it. People watching TV or listening to the radio generally dont have time to check a dictionary. So keep your sentences simple and use basic, easily understood words. If you find youve put a longer word in a sentence, replace it with a shorter one. Example: Print: The physician conducted an extensive autopsy on the decedent.Broadcast: The doctor did an autopsy on the body. Keep It Short Generally, sentences in broadcast copy should be even shorter than those found in print articles. Why? Shorter sentences are more easily understood than long ones. Also, remember that broadcast copy must be read out loud. If you write a sentence thats too long, the news anchor will be gasping for breath just to finish it. Individual sentences in broadcast copy should be short enough to be easily read in one breath. Example: Print: President Barack Obama and congressional Democrats sought to ease Republican complaints about a massive economic stimulus plan Friday, meeting with GOP leaders in the White House and promising to consider some of their recommendations.Broadcast: President Barack Obama met with Republican leaders in Congress today. The Republicans arent happy with Obamas big economic stimulus plan. Obama says hell consider their ideas. Keep It Conversational Many sentences found in newspaper stories simply sound stilted and unwieldy when theyre read out loud. Use a conversational style in your broadcast writing. Doing so will make it sound more like real speech, as opposed to a script someone is reading. Example: Print: Pope Benedict XVI joined U.S. President Barack Obama and Queen Elizabeth II on Friday by launching his own YouTube channel, the latest Vatican effort to reach out to the digital generation.Broadcast: President Obama has a Youtube channel. So does Queen Elizabeth. Now Pope Benedict has one, too. The pope wants to use the new channel to reach out to young people. Use One Main Idea per Sentence Sentences in newspaper stories sometimes contain several ideas, usually in clauses that are broken up by commas. But in broadcast writing, you really shouldnt put more than one main idea in each sentence. Why not? You guessed it - put more than one main idea per sentence and that sentence will be too long. Example: Print: Gov. David Paterson appointed Democratic U.S. Rep. Kirsten Gillibrand on Friday to fill New Yorks vacant Senate seat, finally settling on a woman from a largely rural, eastern district of the state to replace Hillary Rodham Clinton.Broadcast: Gov. David Paterson has appointed Democratic Congresswoman Kirsten Gillibrand to fill New Yorks vacant Senate seat. Gillibrand is from a rural part of the state. She will replace Hillary Rodham Clinton. Use the Active Voice Sentences written in the active voice just naturally tend to be shorter and more to-the-point than those written in the passive voice. Example: Passive: The robbers were arrested by police.Active: Police arrested the robbers. Use a Lead-In Sentence Most broadcast news stories start with a lead-in sentence that is fairly general. Broadcast news writers do this to alert viewers that a new story is being presented, and to prepare them for the information that is to follow. Example: Theres more bad news today from Iraq. Note that this sentence doesnt say very much. But again, it lets the viewer know that the next story is going to be about Iraq. The lead-in sentence almost serves as a kind of headline for the story. Heres an example of a broadcast news item. Note the use of a lead-in line, short, simple sentences, and a conversational style. Theres more bad news from Iraq. Four U.S. soldiers were killed in an ambush outside Baghdad today. The Pentagon says the soldiers were hunting insurgents when their Humvee came under sniper fire. The Pentagon hasnt yet released the soldiers names. Put Attribution at the Start of the Sentence Print news stories usually put the attribution, the source of the information, at the end of the sentence. In broadcast news writing, we put them at the beginning. Example: Print: Two men were arrested, police said.Broadcast: Police say two men were arrested. Leave out Unnecessary Details Print stories tend to include a lot of details that we just dont have time for in the broadcast. Example: Print: After robbing the bank, the man drove approximately 9.7 miles before being apprehended, police said.Broadcast: Police say the man robbed the bank, then drove nearly 10 miles before he was caught. Sources Associated Press, The. Rep. Gillibrand gets Clintons Senate seat. NBC News, January 23, 2009. Associated Press, The. Vatican launches Pope YouTube channel. CTV News, January 23, 2009. jengibson. Simplifying Print Writing. Course Hero, 2019. What makes good broadcast writing? StudyLib, 2019.

National Literacy Strategy Essay Example | Topics and Well Written Essays - 1000 words

National Literacy Strategy - Essay Example To address suggestions on improving the ways in which children learn to read, the National Literacy Strategy was conceived in 1998, but by 2003 it was evident that more new concepts were needed. Results indicated that areas of need for children learning how to read still existed. Marian Sainsbury, principal researcher at the National Foundation for Educational Research, includes in a Literacy Today article (2004) a survey of 4,671 children, Years 4 and 6 combined, comparing 1998 with 2003, which shows that in 2003 children were significantly less interested in reading and going to the library, more interested in watching TV [SEE chart, next page]. Children surveyed in 2003, "after five years of teaching according to the National Literary Strategy" (par. 11), did show more confidence and independence, but although there had been some improvement in reading skills for the pupils in England, by comparison, their enjoyment of reading was poor. Sainsbury notes that teachers rather than the children often choose the reading material for the "literacy hour" in some schools. This is a practice that might discourage a child's interest in further reading, since the child has no input. Children do prefer reading by themselves silently and at home, and giving them more choices in the school setting might well increase their interest level. In a University of Reading press release (2003... They were invited to discuss the subject further by writing brief papers, expressing their concerns. The published papers are presently available at www.ncll.or.uk. According to the press release, "The authors argue against attempts to analyse and categorise the novel, story or poem, to 'stick labels on it, teach-and-preach it into a coma . . . or kill it off altogether with some kind of test' " (par. 3). The effort to meet curriculum needs in the classroom in early education creates stress, and teachers don't feel they can give pupils more freedom to learn at their own pace because they have to meet certain standards. Some of the issues addressed by the Early Years Curriculum Group (2000) that continue to be relevant in 2006 are listed below. They confirm the need for a more relaxed setting: The current emphasis on literacy and numeracy is having a negative effect on some young children's earliest experiences, particularly in the maintained sector and most particularly in children's reception year (par. 1.2) There is substantial evidence from research in this country, and from overseas, that a later start to more formal aspects of language and literacy learning will lead to quicker gains in competence in reading and writing, and actually to higher standards at age nine or 10 (1.5). Reporter Wendy Berliner, in her Guardian article "War of Words" (2005), outlines the success of a Scottish reading program using synthetic phonics and discusses the pros and cons of the system. In 1998, three hundred Scottish children were taught to read using diverse programs. Of the three programmes followed, synthetic phonics showed the best results after seven years. The proponents of

Outsourcing Research Paper Example | Topics and Well Written Essays - 5000 words

Outsourcing - Research Paper Example Why are they still outsourcing from these suppliers. Are there more fundamental principles that need to be considered? This work will try to answer these questions and other issues in more details. National Express is the largest scheduled coach service provider in Europe. In the UK, distinctive white National Express coaches operate to more than 1,000 destinations and carry over 17 million customers a year. The Euro lines coaches additionally operate to over 500 destinations within Europe and Ireland. National Express coach services also serve the major UK airports with additional dedicated on-airport coach and bus services operated by Air links that are based at Gatwick. They also provide a Hotel Hoppa service, which links major hotels at both Heathrow and Gatwick to the airport terminals. Other dedicated airport operations help to serve British Airports Authority (BAA) and the wider airline community at these increasingly busy locations. National Express Ltd is also part of a leading international transport provider - National Express Group (NEG), which itself has over 45,000 employees. In addition to train and bus companies within the UK including Gatwick Express, one, Midland Mainline and Travel West Midlands their overseas operations include student transportation and public transit in the USA & Canada, the management of Stewart International Airport near New York and bus and coach operations in Spain operated by Alsa. In total the National Express Group now carry over 1 billion passengers a year. National Express outsources 80%of their services from third party with whom they have long term contracts. With a growing competition from many other operators, the abolition by the government of the subsidies of elderly and disable passengers, and the financial austerity, National Express like many other companies is under lot of pressure to provide a good value for money service. The aim of this project is to investigate and

Merchant of Venice Spot Analysis Essay Example for Free

Merchant of Venice Spot Analysis Essay Although the play’s title leads readers to believe its contents to surround Antonio, rather the play surrounds a hated and despised Shylock the Jew. However, as Shakespeare so often does, several scenes are placed almost haphazardly within the conflict and turmoil building amongst the main characters. Often readers question the scenes appropriateness and necessity to the play’s progression, and struggle to create connections to the play’s main conflict and following resolution. The casket scenes regarding the betrothal of the beautiful Portia in The Merchant of Venice play the role of the sources of confusion. Although the game of caskets seemingly represents Shakespeare’s dynamics on love and marriage, the game is really a lesson in human morality, judgment, and tribulations. The lesson learned through Portia’s three suitors is invaluable to the play as well as human life. Shakespeare’s ability to recognize and understand the true nature of man is seen throughout the works of his career, and The Merchant of Venice is in essence a depiction of men judging one another superficially. The three caskets present three versions of common human rationales. As each suitor presents himself for the game, the audience is led through his thought process and ultimate decision. The first suitor, Morocco, refuses the casket of lead and claims â€Å"[a] gold mind stoops not to shows of dross. / I’ll then [neither] give nor hazard [anything] for lead† (2. 7. 20-21). Morocco will not risk anything for the mere hopes of gaining only as valuable as lead. Morocco, so far, is immensely materialistic. He next contemplates the silver casket. Morocco weighs his â€Å"value with an even hand† and decides his worth â€Å"by thy estimation / [†¦] dost deserve enough† (2. 7. 5, 26-27). Morocco’s own self-affirmation does not allow him to stoop to choose silver. Instead, he moves to the golden casket thus furthering his obvious greedy and materialistic nature. â€Å"Is’t like that lead contains her? ‘Twere damnation / [to] think so base a thought. It [is] too gross / [to] rib her cerecloth in the obscure grave† (2. 7. 49-51). Obviously unbeknownst to Morocco, lead is the metal of choice in burial, and the irony only better proves this suitor unfit. Likewise Morocco did not view silver as more precious than gold, and refuses to settle for anything second best. His vanity and greed leave him â€Å" ‘[c]old indeed, and labor lost’† as he unwisely chooses the golden casket, and a lesson in humility and Christian grace is spent (2. 7. 74). The lessons continue with the second suitor, Aragon. He quickly passes the leaden casket and moves to dismiss any affinity toward the golden casket. â€Å"I will not choose what many men desire, / Because I will not jump with common spirits / And rand me with the barbarous multitudes† (2. 9. 30-32). Wisely, Aragon knows not to simply trust the facts beheld by the eyes. He deciphers the riddle as addressing a throng of fools blinded by beauty and oblivious of anything else. However, Aragon has just all but ignored the lead casket, yet he knows â€Å"[Portia] shall look fairer [if he] give or hazard† (2. 9. 21). Aragon knows a risk begets a better reward, but he does not choose this uncertainty. However, he ascertains his own desert without doubt. The silver casket should â€Å"[let] none presume / to wear an undeserved dignity† and Aragon believes men should only receive what is deserved (2. 9. 38-39). He questions the validity of an idealistic world of rightful desert. He wonders â€Å"who shall go about / [to cheat] fortune, and be honourable / [without] the stamp of merit† (2. 9. 36-37). Aragon’s idealism does not consider the true nature of mankind. His rationality is absurdly naive, and this foolishness is all he keeps upon his departure. Bassanio, the final and probably least sincere suitor, also considers each casket before his decision. Bassanio is well aware how sinful and deceitful mankind behaves. He knows â€Å"the outward shows [appearances] be least themselves† (3. . 73). Now the reader knows outward beauties will not fool Bassanio. â€Å"How many cowards whose hearts are all as false / [as] stairs of sand, wear yet upon their chins / [the] beards of Hercules and fwoning mars, / [who], inward searched, have lives white as milk† (3. 2. 83-86) Bassanio asks himself in debate. The readers know Bassanio has spent his fortunes living an extravagant life. Assumedly, Bassanio encountered a vast variety of people in his travels and adventures, and through these experiences, he has discovered the triviality of appearances. Bassanio knows beauty is often an elaborate mask â€Å"[the] seeming truth [in] cunning times puts on / [to] entrap the wisest† (3. 2. 100-101). Bassanio eliminate his doubt and chooses the lead casket, thus ending the game and winning Portia’s hand. Bassanio’s knowledge of men and their sinfully corrupt hearts leads him to wisely solve the riddle and win the desired prize. However, Bassanio is not meant to serve as the moral winner in this game. Instead, Bassanio provides support toward Aragon’s foolishness. Bassanio is the man who undeservedly gains power and advancement. Shakespeare places these scenes within a play full of the corrupt, yet he is able to humanize and evoke sympathy for these men. Shakespeare utilizes these scenes to relay to the audience that human nature is not black and white, good or bad, right or wrong. The bad can feel the good and be intrinsically good; likewise the good often know the bad and choose the evil in the face of personal gain.

Comparing the American Dream in My Antonia, Neighbor Rosicky, and 0 Pio

The American Dream in My Antonia, Neighbor Rosicky, and 0 Pioneers!      Ã‚  Ã‚   While many American immigrant narratives concentrate on the culture shock that awaits those who arrive from the more rural Old World to live in a city for the first time, Willa Cather's immigrants, often coming from urban European settings, face the vast and empty land of the plains. Guy Reynolds notes that "the massive outburst of America westwards was in part powered by the explosion of immigrants through the eastern seaboard and across the continent. Ethnic diversity was at the heart of America's drive westwards" (63). The land and land ownership shape the lives of these newcomers in powerful ways, giving them an immigrant experience that is in some ways quite unique. In "Neighbor Rosicky," 0 Pioneers!, and My Antonia, Cather presents vivid characters and situations that serve to describe the urban-rural conflict in America, and as John H. Randall III notes, "'there is no doubt in the author's mind as to whether the country or city is the real America" (272).    In "Neighbor Rosicky", the notion of land ownership as a fundamental feature of the American Dream is most clearly set forth. Anton Rosicky is a Czech who experienced life as an immigrant both in London and New York City and found both lacking. Only in his life on the farm in Nebraska does he find peace and fulfillment.    Rosicky had been a tailor in the Old Country and had immigrated first to London, where he was miserable and poor. At age twenty he left London for New York, and for a time he was happy there, becoming "a good workman" (Cather, "'Neighbor Rosicky" 241) and experiencing the cultural life of the city, including opera and the ballet. As time goes on, however, he ... ...at owning land brings are a substantial part of the American Dream immigrants come to the United States hoping to achieve.    Works Cited Cather, Willa. My Antonia. New York: Quality Paperback Book Club, 1995. ---. "Neighbor Rosicky." Collected Stories. New York. Vintage Classics, 1992. 231-261 ---. 0 Pioneers. New York: Quality Paperback Book Club, 1995. McFarland, Dorothy Tuck. Willa Cather. New York: Frederick Ungar Publishing Co., 1972. Randall, III, John H. "Interpretation of My Antonia." Willa Cather and Her Critics. Ed. James Schroeter. Ithaca: Cornell University Press, 1967. 272-322. Reynolds, Guy. Willa Cather in Context. New York: St. Martin's Press, 1996. Woodness, James. "Willa Cather: American Experience and European Tradition." The Art of Willa Cather. Ed. Bernice Slote and Virginia Faulkner. Lincoln: 1974. 43-64.